{"id":3083,"date":"2023-03-29T11:44:23","date_gmt":"2023-03-29T09:44:23","guid":{"rendered":"https:\/\/vocinelmondo.com\/?p=3083"},"modified":"2023-03-29T11:44:46","modified_gmt":"2023-03-29T09:44:46","slug":"aulo-pedicini-al-mann","status":"publish","type":"post","link":"https:\/\/vocinelmondo.com\/en\/aulo-pedicini-al-mann\/","title":{"rendered":"Aulo Pedicini al MANN"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"775\" data-attachment-id=\"3085\" data-permalink=\"https:\/\/vocinelmondo.com\/en\/aulo-pedicini-al-mann\/aulo_pedicini_73\/\" data-orig-file=\"https:\/\/i0.wp.com\/vocinelmondo.com\/wp-content\/uploads\/2023\/03\/aulo_pedicini_73.jpg?fit=1181%2C1221&amp;ssl=1\" data-orig-size=\"1181,1221\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;9&quot;,&quot;camera&quot;:&quot;NIKON D750&quot;,&quot;created_timestamp&quot;:&quot;1677589646&quot;,&quot;focal_length&quot;:&quot;35&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"aulo_pedicini_73\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/vocinelmondo.com\/wp-content\/uploads\/2023\/03\/aulo_pedicini_73.jpg?fit=750%2C775&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/vocinelmondo.com\/wp-content\/uploads\/2023\/03\/aulo_pedicini_73.jpg?resize=750%2C775&#038;ssl=1\" alt=\"\" class=\"wp-image-3085\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">28 marzo 2023. Il titolo della mostra&nbsp;<strong>&#8220;Annerite scaglie&#8221;, personale di Aulo Pedicini<\/strong>&nbsp;(classe 1942),&nbsp;<strong>a cura di Generoso Bruno<\/strong>, nasce dalle parole di un ultimo componimento dedicato all&#8217;artista dal fratello Gerardo, critico d&#8217;arte e poeta, scomparso di recente (1937-1922), che suggeriscono una origine primordiale, quasi alchemica della sua scultura.&nbsp;Quelle stesse parole saranno materializzate dalla&nbsp;<strong>lettura di Renato Carpentieri<\/strong>, che interverr\u00e0&nbsp;<strong>al<\/strong>&nbsp;<em><strong>vernissage<\/strong><\/em>&nbsp;alle 17.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\"><strong>Nato a Foglianise nel 1942 e attivo dagli anni &#8217;60 sulla scena artistica napoletana, Pedicini ha attraversato le neoavanguardie degli anni &#8217;70, muovendo dagli echi del post-cubismo e del surrealismo&nbsp;<\/strong><em><strong>dada<\/strong><\/em><strong>, utilizzando anche materiali non convenzionali<\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\"><strong>Le opere in mostra, quasi un centinaio, rappresentano una vera e propria antologia della produzione del poliedrico artista<\/strong>,&nbsp;<strong>arricchita degli ultimi lavori<\/strong>, nei quali Pedicini \u00e8 tornato all&#8217;assemblaggio, questa volta attraverso la&nbsp;<strong>tecnica del&nbsp;<\/strong><em><strong>collage<\/strong><\/em>.&nbsp;<strong>Si parte dalle teche degli anni &#8217;60, passando ai pi\u00f9 recenti bronzi (circa 15 opere)<\/strong>&nbsp;&#8211; esposti nella sala che introduce la sezione epigrafica &#8211;&nbsp;<strong>per arrivare agli ultimi lavori pittorici (circa 85)<\/strong>. Racconta il curatore Generoso Bruno: &#8220;Tornano in esposizione le teche e le&nbsp;<strong>sculture di assemblaggio<\/strong>, per la creazione delle quali Pedicini interviene sulla frazione di scarto di quella che definisce l&#8217;effimera opulenza della societ\u00e0 dei consumi, indagando la produzione di massa e il suo uso sociale, quasi come un archeologo teso alla ricostruzione del tempo presente attraverso i suoi residui&#8221;.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">La ricerca pi\u00f9 recente \u00e8 esemplificata da una caleidoscopica moltitudine di interventi sulle scale di grigio in&nbsp;<em>glossy paper<\/em>&nbsp;e dalle numerose&nbsp;<em>Trasposizioni<\/em>&nbsp;di questi su tela e altri supporti.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\"><strong>Nella sala che introduce alla sezione &#8220;metropolitana&#8221;<\/strong>, che ospita la mostra, aperta da uno scatto di Mimmo Jodice all&#8217;Anfiteatro Flavio di Pozzuoli,&nbsp;<strong>\u00e8 presentata l\u2019intera serie fotografica della<\/strong>&nbsp;<em><strong>performance<\/strong><\/em><strong>&nbsp;<\/strong>\u201c<strong>Progressione in uno spazio definito\u201d, del 1966, in cui Pedicini \u00e8 ritratto dall\u2019obiettivo dello stesso Jodice<\/strong>.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">&#8220;<em>In anni pi\u00f9 recenti Pedicini giunge al Mito, evocato come originaria narrazione dell&#8217;esistente.\u00a0Nel tempo dell&#8217;isolamento pandemico l&#8217;artista \u00e8 ritornato sull\u2019operazione dell\u2019assemblaggio, questa volta utilizzando come base la carta con la tecnica del\u00a0collage<\/em>&#8220;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Note biografiche<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Aulo Pedicini (Foglianise, 1942), scultore, pittore,&nbsp;performer, grafico, incisore e decoratore di tessuti, vive e lavora a Napoli. Si diploma nel 1960 all\u2019Istituto Statale d\u2019Arte Filippo Palizzi di Napoli, fra il 1962 e il 1967 consegue il diploma di Magistero e si diploma in Scultura presso l\u2019Accademia delle Belle Arti di Napoli.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Negli anni Sessanta le sue produzioni sono segnate da uno stile immediato ed informale. Nel decennio successivo, Pedicini prende parte alla Quadriennale di Roma (1975), alla XXXVII Biennale di Venezia (1976) e al Festival Dada (1979) a Los Angeles. Al tempo, la sua pratica scultorea indaga il consumo, l\u2019oggetto, lo scarto e la sua possibilit\u00e0 assemblativa.&nbsp;Negli stessi&nbsp;anni l\u2019artista realizza&nbsp;performance&nbsp;di grande impatto:&nbsp;Il Malato, realizzata presso l\u2019Ospedale Psichiatrico Frullone di Napoli, fu presentata a Venezia in occasione della Biennale del 1976.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Con la produzione in bronzo Pedicini recupera l\u2019idea della pratica scultorea di grande dimensione, nella quale si riconoscono suggestioni metafisiche.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Le sue opere sono presenti in diversi musei e istituzioni pubbliche in Italia e nel mondo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Anna Rita Canone<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>La mostra &#8220;Annerite scaglie&#8221;  si inaugura oggi 29 marzo alle 17<br \/>\n\u200b<\/p>","protected":false},"author":185173647,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2367],"tags":[],"class_list":["post-3083","post","type-post","status-publish","format-standard","hentry","category-cultura","entry"],"yoast_head":"<!-- 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